- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
Post-Picasso : contemporary reactions / Michael FitzGerald
Material type: TextPublication details: Barcelona : Ajuntament de Barcelona : Museu Picasso, cop. 2014 Description: 201 p. : il. col. ; 29 cmISBN: 9788494231926Subject(s): Influències artístiques | Exposicions temporals | Art contemporani | Guernica (1937) | Les senyoretes d'Avinyó [Les Demoiselles d'Avignon] | Arlequí | Saltimbanquis | Picasso, Pablo Ruiz, 1881-1973 | Museu Picasso (Barcelona, Catalunya) -- 2014Item type | Current library | Call number | Status | Date due | Barcode |
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Monografia | Biblioteca Museu Picasso | C 2014 14 (Browse shelf(Opens below)) | Available |
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C 2014 11 Post-Picasso : reaccions contemporànies / | C 2014 12 Post-Picasso : reacciones contemporáneas / | C 2014 13 Post-Picasso : reacciones contemporáneas / | C 2014 14 Post-Picasso : contemporary reactions / | C 2014 15 Picasso Sieht Fern! = Picasso TV / | C 2014 16 Picasso revelado por David Douglas Duncan / | C 2014 17 Esprit Montmartre : |
Catàleg de l'exposició celebrada al Museu Picasso de Barcelona, del 5/03/2014 al 29/06/2014
Referències bibliogràfiques. Índex
Pat one: Two paintings: Ch. 1 Guernica ; Ch. 2 Les demoisselles d'Avignon ; Part Two: Three periods: Ch. 3 Late work ; Ch. 4 Surrealisme ; Ch. 5 Harlequins, saltimbanques and other mediated characters
This exhibition examines the responses of contemporary artists to the life and work of Pablo Picasso during the forty years since his death, in which his significance for contemporary artists has been controversial. It addresses the question of whether Picasso continues to be important for contemporary art and considers the variety of ways in which artists are engaging his art.
As the 58 works in the galleries demonstrate, contemporary artists have reinterpreted the meanings of Picasso’s oeuvre and liberated Picasso’s legacy from the constraints of past ideologies. These artists freely explore and contest Picasso’s status. They do not perceive Picasso as merely a paradigm of the 20th-century European avant-garde, but interpret him as a polyvalent model for artists worldwide to address the global expansion and diversification of contemporary art in the twenty-first century.
This exhibition presents the work of 41 artists from around the world: Africa, Asia, Europe, the Middle East, North America and South America. This diversity reflects the remarkable geographical range of Picasso’s impact on contemporary art as well as the current importance of this engagement, since many of the works were created after 2000.
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