Picasso 1905 in Paris herausgegeben von Thomas Kellein und David Riedel

By: Kellein, ThomasContributor(s): Riedel, David | Kunsthalle Bielefeld (Alemanya)Material type: TextTextLanguage: Alemany Publication details: München: Hirmer c. 2011 Description: 175 p. : il. col. ; 29 cmISBN: 9783777444710 Subject(s): Picasso, Pablo Ruiz, 1881-1973 | 2011 | 2012 | Època rosa (1904-1906) | Exposicions | Kunsthalle Bielefeld (Alemanya) | París | 2011 | 2012 | Época rosa (1904-1906) | Exposiciones | Kunsthalle Bielefeld (Alemania) | París | Picasso, Pablo Ruiz (1881-1973)Summary: With over one hundred loans from private and public collections around the world, including the fifth Picasso new, modern style. created around 1905. Vlaminck, which will colorful, but gentle, large paintings, the twentieth century, but as an artist with a fluid drawing and painting style, who enjoyed experimentation. for the first time around authentic picture of traveling acrobats, the creating the studio in Montmartre. more fascinated the work of Paris. Archaiclooking boys, monumental female bodies, and increasingly abstract, mask-like faces mark the painting Les sculptures, Picasso’s stage. large Picasso exhibition is a link to the work of Kellein’s predecessor, Ulrich Weisner († 1994), who produced four The theme, scholarly attention (which will travel the exhibition in will illuminate a side
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Item type Current library Call number Status Date due Barcode
Monografia Biblioteca Museu Picasso
75.036.6 (Pic) Kel (Browse shelf(Opens below)) Available 2011-427

Catàleg de l'exposició presentada a la Kunsthalle Bielefeld, del 25/09/2011 al 15/01/2012

With over one hundred loans from private and public collections around the world, including the fifth Picasso new, modern style. created around 1905. Vlaminck, which will colorful, but gentle, large paintings, the twentieth century, but as an artist with a fluid drawing and painting style, who enjoyed experimentation. for the first time around authentic picture of traveling acrobats, the creating the studio in Montmartre. more fascinated the work of Paris. Archaiclooking boys, monumental female bodies, and increasingly abstract, mask-like faces mark the painting Les sculptures, Picasso’s stage. large Picasso exhibition is a link to the work of Kellein’s predecessor, Ulrich Weisner († 1994), who produced four The theme, scholarly attention (which will travel the exhibition in will illuminate a side

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