Inspiring action, Museums and social change A collection of essays

Conté: Bringing Art to the Street / Carol Brown (Curatorial Consultant and Former Director, Durban Art Gallery), p. 10; Rules for the (R)evolution of Museums / Elizabeth Wood (Public Scholar of Museums, Families and Learning,Indiana University-Purdue University, Indianapolis), p. 24; The Fight / Gabriela Salgado (Curator of Public Programmes, Tate Modern, London), p. 42; Exchanges and the Historical Construction of Collections / Gareth Knapman (Thomas Ramsay Science and Humanities Fellow, Museum Victoria, Melbourne), p. 58; History off the chain: Liberating the Narrative / Jennifer Scott (Director of Research, Weeksville Heritage Center, Brooklyn, NY), p. 76; Examining Contemporary Conflict / Jo Woolley (Development & Sustainability Manager, MLA, London), p. 98; Learn about the Past, Act in the Present, Change the Future / Katy Archer (Director, National Centre for Citizenship and the Law, Nottingham), p. 112; The Tower in Society: Working for Life / Keith Cima (Resident Governor, HM Tower of London), p. 136; Exhibiting Human Rights: New Narratives of Global Health / Manon Parry (Exhibition Curator and Historian), p. 148; Creating a Museum from a Grassroots Project / Marcia Jo Zerivitz (Founding Executive Director & Chief Curator Jewish Museum of Florida, Miami Beach, FL), p. 168; Indigenous Frames of Reference: Translating the Past into a Politics of the Future / Olivia Guntarik (Lecturer, RMIT University, Melbourne), p. 188; Capacity Building and Cultural Ownership / Eithne Nightingale (Head of the Diversity Strategy Unit, Victoria & Albert Museum, London), p. 210; What’s the Point? Glorifying Violence or Keeping People Safe? / Peter Armstrong (Development Director, Royal Armouries Museum, Leeds), p. 232; Building Audience: Juvenile Delinquents at the Clark / Ronna Tulgan Ostheimer (Community Education and Outreach Coordinator, Sterling and Francine Clark Art Institute, Williamstown, MA), p. 242; Reaching Out to Older Visitors / Susan Ghosh (Formerly Good Times Coordinator, Dulwich Picture Gallery, London), p. 264

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