- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
De Picasso a Tápies Claves del arte español del siglo XX dirección, María José Salazar
Material type: TextLanguage: Castellà Publication details: L'Haia: Gemeemtemuseum 2001 Description: 142 p. : il. col. ; 30 cmISBN: 9040096198Subject(s): 2001 | 2002 | Art espanyol | Col·lecció MNCARS (Madrid) | Exposicions | Gemeentemuseum (L'Haia, Holanda) | S. XX | 2001 | 2002 | Arte español | Colección MNCARS (Madrid) | Exposiciones | Gemeentemuseum (La Haya, Holanda) | S. XXOnline resources: 22/12/2010 Summary: The Gemeentemuseum is holding an exhibition of 20th-century Spanish masterpieces: leading works by Picasso, Miró, Dalí, Gris, Fernández, Tàpies etc. seldom seen outside the walls of Madrid's Reina Sofía Museum. Spanish artists working in the period before 1945 exercised a major influence on artistic developments in the twentieth century. They were in the vanguard of the changes taking place in the art world, in style, in professional attitudes and in the place of the artist within society. Picasso was a key figure in this respect. With his succession of styles, he demonstrated the importance of artistic freedom. And his world-famous Guernica was a penetrating commentary on the Spanish civil war. (Ten preliminary studies for this are included in the exhibition.) The stylistic evolution in Picasso's work is also reflected (albeit in a completely different way) in that of artists like Miró and Dalí. After World War II, artists like Tàpies, Chillida and Saura maintained the Spanish tradition: they were interested in Abstraction and Surrealism, both figurative and non-figurative. Their work often responds to their predecessors' themes and choices of material. The masterpieces in this exhibition are all from the Reina Sofía Museum in Spain and there is very rarely any chance to see them elsewhere.Item type | Current library | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|
Monografia | Biblioteca Museu Picasso | C 2001 37 (Browse shelf(Opens below)) | Available | R. 4896 |
Browsing Biblioteca Museu Picasso shelves Close shelf browser (Hides shelf browser)
C 2001 24 Georges Braque, Juan Gris, Fernand Léger, Pablo Picasso | C 2001 33 Museo Picasso, Colección Eugenio Arias | C 2001 34 Félix Aublet 1903-1978 | C 2001 37 De Picasso a Tápies | C 2001/12 Picasso und die Schweiz | C 2001/18 Picasso érotique | C 2001/19 Picasso érotique |
Catàleg de l'exposició presentada al Gemeentemuseum, L'Haia, del 24/10/2001 al 17/02/2002 amb obres de la col·lecció del Museo Nacional Centro de Arte Reina Sofía (MNCARS)
Conté: Claves del arte español del siglo XX / María José Salazar, p. 8; De Picasso a Tápies / Juan Manuel Bonet, p. 11; Biografías / Óscar Alonso Molina; Alrededor del Cubismo, p. 16; Del Novecentismo al Ultraísmo, p. 42; La Generación del 1927, p. 54; Surrealismo, p. 62; La Escuela de Vallecas y el nuevo paisaje español, p. 88; La generación abstracta, p. 98; Figuraciones de los sesenta, p. 126; Cronología / María José Salazar, p. 134
Pablo Picasso, p. 35-41
The Gemeentemuseum is holding an exhibition of 20th-century Spanish masterpieces: leading works by Picasso, Miró, Dalí, Gris, Fernández, Tàpies etc. seldom seen outside the walls of Madrid's Reina Sofía Museum. Spanish artists working in the period before 1945 exercised a major influence on artistic developments in the twentieth century. They were in the vanguard of the changes taking place in the art world, in style, in professional attitudes and in the place of the artist within society. Picasso was a key figure in this respect. With his succession of styles, he demonstrated the importance of artistic freedom. And his world-famous Guernica was a penetrating commentary on the Spanish civil war. (Ten preliminary studies for this are included in the exhibition.) The stylistic evolution in Picasso's work is also reflected (albeit in a completely different way) in that of artists like Miró and Dalí. After World War II, artists like Tàpies, Chillida and Saura maintained the Spanish tradition: they were interested in Abstraction and Surrealism, both figurative and non-figurative. Their work often responds to their predecessors' themes and choices of material. The masterpieces in this exhibition are all from the Reina Sofía Museum in Spain and there is very rarely any chance to see them elsewhere.
R. 4896
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