Picasso, challenging the Past [Enregistrament vídeo] / written and narrated by Colin Wiggins

By: Wiggins, ColinContributor(s): National Gallery (Gran Bretanya)Material type: TextTextLanguage: Anglès Publication details: London : The National Gallery, 2009 Description: 1 videodisc (DVD) (35 min) : col. so ; 19 cmSubject(s): Picasso, Pablo Ruiz, 1881-1973 | Velázquez, Diego Rodríguez de Silva y, 1599-1660 | David, Jacques-Louis, 1748-1825 | Delacroix, Ferdinand-Victor-Eugène, 1798-1863 | Manet, Édouard, 1832-1883 | 2009 | Déjeuner sur l'herbe (d'après Manet) (1960) | Déjeuner sur l'herbe (d'après Manet) (1960) | Dones d'Alger [Les Femmes d'Alger, d'après Delacroix] | Exposicions | Influències artístiques | Las Meninas (1656) | Las Meninas (1957) | Poussin, Nicolas (1594-1665) | The National Gallery (Londres) | Últims anys, 1953-1973 | 2009 | David, Jacques-Louis (1748-1825) | Déjeuner sur l'herbe (d'après Manet) (1960) | Delacroix, Ferdinand-Victor-Eugène (1798-1863) | Exposiciones | Influencias artísticas | Las Meninas (1656) | Las Meninas (1957) | Manet, Édouard (1832-1883) | Mujeres de Argel [Les Femmes d'Alger, d'après Delacroix] | Picasso, Pablo Ruiz (1881-1973) | Poussin, Nicolas (1594-1665) | The National Gallery (Londres) | Últimos años, 1953-1973 | Velázquez, Diego Rodríguez de Silva y (1599-1660)Summary: From his beginnings in the avant-garde atmosphere of Barcelona, through to the later part of his career when he made free interpretations of paintings by Velázquez, Manet and Delacroix, the name of Picasso and the idea of modern art have gone hand in hand. conventions of western painting. However, it is now understood that he was in fact deeply concerned with tradition and with his own place in history. Using works displayed in the 2009 exhibition at the National Gallery, this film shows how Picasso consistently made reference to the past in order to ensure that we recognise him as an artist who claiming descent from a visual heritage that is centuries old.
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From his beginnings in the avant-garde atmosphere of Barcelona, through to the later part of his career when he made free interpretations of paintings by Velázquez, Manet and Delacroix, the name of Picasso and the idea of modern art have gone hand in hand. conventions of western painting. However, it is now understood that he was in fact deeply concerned with tradition and with his own place in history. Using works displayed in the 2009 exhibition at the National Gallery, this film shows how Picasso consistently made reference to the past in order to ensure that we recognise him as an artist who claiming descent from a visual heritage that is centuries old.

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