Pablo Picasso : between Cubism and Neoclassicism 1915-1925 / edited by Olivier Berggruen ; with Annunciata von Liechtenstein

By: Picasso, Pablo, 1881-1973 [artista]Contributor(s): Berggruen, Olivier [editor literari,, autor] | Liechtenstein, Anunciata von [editor literari] | Godefroy, Cécile [autor] | Moncada, Valentina [autor] | Woodcock,Sarah C [autor] | Loreti, Silvia [autor] | Picasso, Pablo Ruiz, 1881-1973 [artista] | Scuderie papali al Quirinale (Roma, Itàlia) [institució d'acollida]Material type: TextTextPublisher: Milano : Skira, [2017]Manufacturer: ©2017 Description: 255 pàgines : il·lustracions (principalment en color) ; 29 cmContent type: text | imatge fixa Media type: sense mediació Carrier type: volumISBN: 9788857236933Uniform titles: Pablo Picasso. Anglès (Skira) Subject(s): Picasso, Pablo Ruiz, 1881-1973 -- Exposicions | Cubisme (1906-1917) | Classicisme, retorn a l'ordre (1916-1924)
Contents:
Conté: 1915-25 : Picasso, from Harlquin to Three Dancers / Cécile Godefroy, p. 20 ; Picasso in Via Margutta : the Studio in Rome / Valentina Moncada, p. 32 ; The Genesis of Parade / Anunciata von Liechtenstein, p. 42 ; Stravinsky and Picasso : elective affinities / Olivier Berggruen, p. 60 ; Diaghilev, Picasso and painters in performance / Sarah Woodcock, p. 72 ; Diving Deep into a Mediterranean affair : The pipes of Pan, nature and culture / Silvia Loreti, p. 88
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Catàleg de l'exposició celebrada a l'Scuderie del Quirinale, a Roma, Itàlia, del 21/09/2017 al 21/01/2018

Conté obres del Museu, p. 201, MPB 10941 (Arlequin (Léonide Massine))

Inclou referències bibliogràfiques

Conté: 1915-25 : Picasso, from Harlquin to Three Dancers / Cécile Godefroy, p. 20 ; Picasso in Via Margutta : the Studio in Rome / Valentina Moncada, p. 32 ; The Genesis of Parade / Anunciata von Liechtenstein, p. 42 ; Stravinsky and Picasso : elective affinities / Olivier Berggruen, p. 60 ; Diaghilev, Picasso and painters in performance / Sarah Woodcock, p. 72 ; Diving Deep into a Mediterranean affair : The pipes of Pan, nature and culture / Silvia Loreti, p. 88

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